Do you like the designer’s portfolio?

This should be the number one determining factor in choosing a graphic designer. If you don’t enjoy the work they’ve done, there is a pretty good chance you won’t like what they create for you.

Does the designer appear to be knowledgeable?

Take the time to read through some of the writings, blog posts, etc on the designers website. Doing so may dismiss or validate any uncertainties you may have. Things you may want to check for: apparent knowledge of subject material, education (classes or colleges attended), awards or recognitions.

How much experience do they have?

Find out how long the designer has been offering their services. The longer they’ve been around, the more experience they have dealing with clients and projects. A well seasoned designer should know how to manage their time properly, resulting in a more efficient process.  It is also likely that they will have a better understanding of client relations leading to a better experience overall. You might have to pay more for this experience but it will be worth it. I’m a firm believer that you (usually) get what you pay for.

Are there any testimonials available?

Some designers have no problem telling you how great they are. Don’t just take their word for it, check to see if they have any testimonials you can read.

Does the designer’s pricing seem fair?

Pricing is obviously an important factor, but choosing a designer based on price alone is probably not a wise choice. Many designers that are just starting out will offer super low rates just to get clients. The down side is they will be lacking in the knowledge and experience of someone more seasoned. You don’t want to sacrifice quality just to save a few dollars, do you?

At the same time, you can’t assume a designer will be better because their pricing is the highest. Rather than letting cost be your determining factor, take all factors into consideration.

How well does the designer communicate?

When you email the designer, how long does it take them to respond? Anything over 24 hours is probably too long. Another question to ask is how well does the designer communicate? When you email or call, do they answer all of your questions? Do they rush through their responses? Are they polite and professional?

There will be a lot of back and forth conversations between you and your designer during a project. The last thing you want is to be confused, left in the dark, or waiting for answers. Communication is key.

Does the designer have a website?

In todays world, a graphic designer without a website is like a story with no ending. It just doesn’t make sense. You don’t want to hand over your hard earned money to some anonymous person who can’t provide you with a solid portfolio or information about themselves and their services. Be cautious of sites like Craigslist and design contest sites where amateur designers claiming to be professionals is quite common.

Does the designer have bad reviews?

As with many small businesses, most graphic designers are listed in the free business directories online. These directories often include reviews. It may not be a bad idea to see what others are saying before committing to a designer. Yahoo Local Business and Google Maps business directory are two places you can find reviews.

Does the designer outsource their work?

Some design firms, and even freelance designers outsource their projects to others for a commission. So when you think you are hiring a particular designer for his or her skills, you may just end up with someone else’s work. This practice is fine as long as the client is aware, but sometimes there is no mention of this. Don’t be afraid to ask who is going to be handling your project.

I touched up the pic using Photoshop’s dodge and burn tools. Some color enhancing was also done to help the image not look so flat. To give the impression of movement with the plane in the boy’s hand, I added some motion blur.

For the background I chose to mask out the flat color and add a little texture using the square pattern. I used the color blue to represent the color of a sky.

To help the text stand out, a weathered background was placed behind the type. The chosen font seemed to have a nice old time feel and I thought it fit nicely with the design. The client was happy with the result and the prints turned out well.

Anti-Aliasing: the smoothing of jagged pixel edges in an image or graphic.

Bevel: applying a beveled effect – giving a 3d appearance to an otherwise flat looking graphic. This is achieved by adding highlights and shadows to an object’s edges.

Bleed (bleed edge): when creating a design for print, a “bleed edge” needs to be added to the document’s page size. For example, a brochure with the dimensions  8″ x 10″ needs to be created at something like 8.5″ x 10.5″. This leaves room for the design to extend past the cut area.

CMYK: a very common color mode used for printing, also known as “process colors”. The CMYK stands for the colors cyan, magenta, yellow, and black. The letter K represents black as a way to not confuse with blue. When printing in CMYK, not all colors are achievable (ex: bright blues). For this reason, spot colors (pantone colors) can be used to add shots of necessary colors (see “spot colors” to learn more).

DPI (dots per inch): represents the resolution of an output device such as a printer. The higher the DPI, the more pixels (dots) fit into each inch of the image. In other words, the higher the DPI, the better an image will look in print. 300 dpi is sufficient for many print jobs, but it’s all dependent on the detail required and the material being printed on. DPI is often confused with the term “PPI” (see “ppi” to learn more).

Duotone: Just like the name implies, a duotone is simply an image consisting of 2 colors. Printing an image with 2 colors rather than 1 will result in an image that has more depth than a single monotone color print.

FTP (File Transfer Protocol): ability to transfer files from one computer to another using the internet. There are FTP software programs (ex: “CuteFTP” or “Transmit” for mac) that make the process of transferring large amounts of data possible and simple. FTP programs (also referred to FTP clients) are commonly used tools for uploading and updating sites on the web.

Gamut: basically a range of available color. There are color modes in graphic design. Each mode consists of a certain amount of colors. This range of available color is referred to as “gamut”. Any color that falls out of this range is called “out of gamut”.

GIF: one of the most widely used graphic image file formats on the web.

-web browser friendly
-small file size is great for web pages.
-support background transparency
-limited to only 256 colors
-photos don’t look good saved as GIF

Gradient: a gradual transition of colors. The way the sky fades from one color to another during a sunset is an example of a gradient.

JPG: (also spelled “JPEG”) this image format is the most commonly used web format when it comes to photos or detailed imagery. JPGS are a “lossy” format, meaning some quality is lost to achieve their smaller file size.

-look great on a monitor, despite “lossy” format
-support a higher number colors than gifs, however larger file sizes
-web browser friendly
-ok for print if saved as highest quality
-Saving jpg images at high quality will result in better picture quality but longer loading times on the internet. Saving at low quality will result in lower picture quality but fast web page loading times.
-unlike “PNG” and “GIF” file formats, JPG’s don’t support background transparency

Kerning: the horizontal spacing between a pair of letters in a word. Certain letter pairs look awkward together, so sometimes it’s necessary to move the letters closer together or further apart. Examples of how spacing varries with various letter combinations: AV, PA, AT, and AY. Kerning is often confused with the term “tracking” (see “tracking”). Tracking is used for spacing larger groups of letters or text.

Pantone matching system: a color matching system allowing designers and print shops to more easily match colors. This is accomplished by referencing Pantone swatch books (guides) for the proper recipe of colors. This Pantone system is not perfect, but it has become the industry standard for color matching.

-good way to select “out of gamut” (see “gamut”) spot colors (see “spot colors”) for print projects.
-spot colors can be expensive
-no two color guides are printed exactly the same

PDF (portable document format): a document format that allows for the reading and writing of multi-page documents or articles. It’s possible to keep the same format, layout, and fonts of a document across any computer setup. A free software program like Adobe Acrobat is needed to read PDF’s. PDF’s are a good way to write ebooks, articles, and also serve as a good way to show images.

Pixelation: raster images (see “raster”) are comprised of tiny dots. The more dots that fit into a certain area (1×1″ for example), the higher the resolution. Often times images with low resolution appear “blocky” or pixelated because of their lack of pixels per inch (see “ppi”). This blocky appearance is referred to as pixelation. Vector (see “vector”) image are void of pixelation.

To understand pixelation, think of the old Atari video games. Remember how the graphics were made up of tiny blocks. Each of these blocks are called pixels. Now look at today’s video games, monitors, and tv screens where the pixels are much less noticeable. The reason is because the pixels are smaller and more crammed. This results in a more detailed viewing image.

PNG: a common image format used for displaying images on the web.

-offers background transparency (great for web)

-larger in file size than a gif, but still reasonable for web use
-display many colors
-display text more crisp than jpg images.

PPI (pixels per inch): specifies the resolution of an input device (digital camera, scanner, monitor). Web pages run at a resolution of 72-96 PPI. PPI is often confused with the term “DPI” (see “dpi”).

Raster: a raster image is an image that is made up of pixels (tiny dots). Raster graphics or images are resolution dependent, meaning they cannot scale to arbitrary size without apparent loss in quality. Photographs are raster images. Vector (see “vector”) images on the other hand, can be scaled to any size, with no worries of pixelation (see “pixelation”) or quality loss associated with raster imagery.

Resolution: The detail of an image is based on how many pixels (dots) are included in 1 square inch of space. The more pixels (see “pixels”) included in that space, the higher the resolution.  Computer monitors use no more than 72 pixels (dots) per inch, so going higher is pointless. However a minimum of 300 dots per inch is usually recommended for printing.

RGB: the color mode that is read by computer screens and the web. The RGB mode consists of red, green, and blue color combinations. Anything created for web use should be created in RGB color mode, while anything for print should be created in CMYK color mode.

San Serif: A kind of font type that is void of the strokes on the end of letters that can be found on a “serif” typeface (see “serif”).

Serif: A type of font that has exaggerated strokes or details at the end of it’s letters (unlike “san serif” typefaces).

Spot Color: When printing in CMYK color (see “cmyk”), often times certain colors can not be achieved. This is when “spot colors” are called upon. An extra printing plate with the spot color is added to the printing process (costing extra money). Spot colors are also used for limited color print jobs, since it’s sometime cheaper to print just the single or double spot colors rather than the entire 4 used in CMYK process printing. The Pantone Matching System (PMS) is the most widely recognized system for spot colors.

TIFF: (also spelled TIF) image format commonly used when printing of high quality is necessary. Unlike the “JPG” format that sacrifices quality for file size, TIFF’s sacrifice file size for quality.

-very large file sizes
-great format for printing (not “lossless” like JPG)
-not web friendly due to large file size

Tracking: the adjustment of space between a group of letters or entire blocks of text. A change in tracking can result in easier to read text, making it feel more “airy” and open. Tracking is often confused with “kerning” (see “kerning”). Kerning is more the spacing between 2 letters that appear to close together.

Vector: a graphics format that uses shapes and paths (lines) to form graphic images. Vector graphics are resolution independent and regardless of how magnified, all edges  will remain crisp, clear, and smooth. This ability to stay crisp at any size, means vector graphics are great for logos, line art, and other designs that don’t require complicated coloring or textures.

To create the skull drawing I referenced a fake yet realistic looking skull I had purchased a few years ago. Since the design was created in vector, I can print at any size with no loss of detail. If you are a designer and haven’t experimented in vector illustration, give a try. It requires some patience but the payoff is worth it. You are able to use your vector designs in applications not always possible with raster art (large posters, banners, and more).

Please view the full size preview of this design by clicking on the image above.

• Include the colors black and blue.
• Include the can in the design but the manufacturer logo can not be shown.
• Include lightning effects.
• Have the design target 18-35 year old males.
• Eye catching.

Kyle was pondering the idea of showing a business man or athlete being “energized” via the energy drink can. I liked the idea and translated the concept into the image shown above. Kyle was happy with the design but later mentioned that the flyer size needed to be changed, so some modifications needed to be made to fit the new size.

The most difficult part of this design was trying to display the can without being able to show the logo. Placing something over top the can would probably put too little emphasis on the can itself. I chose to show only the top of it instead. The logo was hidden and the can is still large enough to be a prominent part of the design.

Please click on the image above to view the full size preview.

Since the majority of the salon’s customers are women I didn’t see the harm in using the contour of a woman’s face in the logo design. And besides, what man doesn’t like the look of a woman’s face? I incorporated the letter “W” into the hair. Can you see it? The client loved the design, so I consider it a successful piece.

You can view a full size preview of this design by clicking the image above.

The challenge with this project was coming up with an identity which combined both of Michael and Carla’s services. They wanted something clean, modern, elegant, and reflective of their collaboration. They wished to receive 3 logo concepts.

My approach with this particular concept was to somehow find a way to separate the Retief and Stephanides names without showing a complete division. This required me to come up with a graphic which would represent both of their services.

Since a woman’s body and face are symbolic of both beauty and elegance, this seemed to be an obvious route to take with this design. My only concern was that using female specific imagery in the design may detour male clients from seeking their services. I approached Michael with the concern and he said he didn’t think this would be a problem, especially since the majority of their clientele were women. It turned out the design was not overly feminine after all anyway.

The graphic mark separating the “Stephanides” and “Retief” names is suppose to represent the curve of a woman’s body. It also acts as a good separating mark, similar to a forward slash often used for this purpose (/).

As with all of my clients I approached Michael with a list of selling points with this logo. A way for me to tell him why I think the design works. Here they are:

• Elegant, clean, and simple design.
• The curved separator symbolizes the contour of a woman’s body=beauty.
• Design looks good in a single color.
• The dividing mark can be used by itself as a branding symbol.
• Timeless design (no trendy features).
• Dividing mark shows that there are 2 separate companies, but as a whole; the logo shows the union of the both.

Michael and Carla seemed to be very pleased with their new logo. I created them business cards and letterhead as well. They were a pleasure to work with and I hope to do business with them again.

Like with all my logo projects, before pencil touches paper I research my clients industry/field. This allows me to get a better idea of what they do, who their competitors are, and what overused/cliche logo designs to avoid. I learned there were way too many gavels and scales of justice’s used in law based logos, so I wanted to avoid those if I could.

For the featured concept I chose to draw up a simplified law building. After some sketching and brainstorming I noticed the pillars of the building looked very similar to the vertical sections of a capital letter “H” (for “Hill”). After implementing the idea I submitted the concept to Adam. He liked the design and wanted to see a couple of revisions.

I tweaked the logo and showed him requested color and style options. The design was then finalized. Traditional, solid, modern, and unique is what Adam wanted to portray with his new logo. Based on his feedback on the design I think this was accomplished.

For the logo Jessica wanted something clean, stylish, and modern. While playing with ideas I noticed the words “Be” and “It” hidden in the lettering of the business name. I presented the idea to Jessica of possibly using the words in highlighted fashion. This could act as a slogan and function as the logo as well.  “Be it” could represent what ever the viewer wanted it to; “Be Beautiful”, “Be Happy”, “Be a Rockstar”.  I highlighted the words in a different color as a way to draw attention to them.

I like to create a list of selling points or reasons why I think a design works, and present them to my clients. Here are the strong points I see with this logo:

• Seems to fit the “clean, stylish, modern” look Jessica was wanting.
• Avoids using cliche salon imagery and logo stereotypes.
• Has creative slogan built into the name.
• Logo will be recognizable at small sizes.
• Colors can easily be changed.
• Professional and unique looking design.

For the business card we shot a few photographs with my Canon Xti and 50mm lens. After an image was chosen from the shots taken, I used Photoshop and my touch up skills bring the image to life. This involved some color adjusting, a little dodge and burn, and some digital painting techniques I use from time to time.

Jessica was happy with the final result of her new business card and logo design. This is what she had to say:

“Derek is great to work with. He listened to what I had to say and created something unique and creative. What I like most about the design is that it doesn’t fit the typical salon logo. I love how he pulled a slogan from the name!”

The logo displayed above is one of the concepts they liked the most. The blending of the flame and music note seemed to reflect the company name well. The logo mark is easy to understand, memorable, and can be used alone without text if needed.

For the typeface I chose a font that seemed to fit the feel of the logo and the flames. Because of the company’s long history I didn’t want to chose a font that was too modern looking either. I made a couple slight modifications with the type, including removing the tail from the first letter “r” to help balance the design.

Please click on the image above to view the full size preview.